BS English Syllabus GCU FSD
BS English Syllabus GCU FSD
BS English Syllabus GCU FSD
1. Poetry
Classical Poetry
1. Geoffrey Chaucer: The Prologue to the Canterbury Tales (Prioress, Monk, Friar,
Parson, Clerk, Knight, Squire, The Wife of Bath, Merchant, Miller,
Summoner)
2. John Donne: Good Morrow, The Sun Rising, Go and Catch a Falling Star, Death
be not Proud, Batter My Heart, Valediction: Forbidding
Mourning
3. John Milton: Paradise Lost Book 1 (Complete), Book 9 (Temptation Scenes)
4. Alexander Pope: The Rape of the Lock
Romantic Poetry
1. Blake: Songs of Innocence (Auguries of Innocence, The Lamb, The Divine Image)
Songs of Experience (The Tyger, London, A Divine Image)
2. Wordsworth: Ode on Intimation of Immortality, The Lucy Poems
3. Byron: She Walks in Beauty, By the Rivers of Babylon We Sat Down and Wept
4. Keats: Ode on a Grecian Urn, Ode to Nightingale, Ode to Autumn, Ode on
Melancholy, Ode to Psyche
5. Shelley: Ode to the West Wind
6. Browning: The Last Ride Together, Fra Lippo Lipp
Modern Poetry
1. T. S. Eliot: The Wasteland
2. W. B. Yeats: Second Coming, Sailing to Byzantium, Easter 1916
3. Philip Larkin: Mr. Bleany, Church Going
4. Seamus Heaney: The Tollund Man, A Constable Calls, Personal Helicon
5. Ted Hughes: Thought Fox, That Morning, Jagua
2. Drama
Greek and Elizabethan Drama
1. Sophocles: Oedipus Rex
2. Christopher Marlowe: Dr. Faustus
3. William Shakespeare: Hamlet
Modern Drama
1. Henrik Ibsen: A Doll’s House
2. G B Shaw: Arms and the Man
3. Sean O’ Casey: Juno and the Paycock
Theatre of Absurd
1. Samuel Beckett: Waiting for Godot
2. Harold Pinter: The Caretaker
3. Eugene Ionesco: The Rhinoceros
3. Prose
1. Bacon Essays (Five Essays: Of Truth, Of Studies, Of Simulation and Dissimulation,
Of Ambition, Of Great Place)
2.Swift: Gulliver’s Travels
3.Russell: The Conquest of Happiness
4. Novel
1. Henry Fielding: Joseph Andrews
2. Jane Austen: Pride and Prejudice
3. George Eliot: The Mill on the Flos
Victorian Novel
1. Charles Dickens: Hard Times
2. Thomas Hardy: Tess of the d’Urbervilles
3. Emily Bronte: Wuthering Heights
Modern Novel
1. James Joyce: Portrait of an Artist as a Young Man
2. Virginia Woolf: Mrs. Dalloway
3. Joseph Conrad: Heart of Darkness
5. Short Story
1. E. Allen Poe: The Man of the Crowd
2. O Henry: Hearts and Hands
3. Flannery O’Connor: Everything that Rises Must Converge
4. Nadine Gordimer: Ultimate Safari
5. Ben Okri: What the Tapster Saw
6. Hanif Qureishi: My Son the Fanatic
7. D.H. Lawrence: The Man who Loved Islands
8. Alice Walker: Strong Horse Tea
9. Kate Chopin: A Pair of Silk Stocking
10. Charlotte Gilman: The Yellow Wallpaper
11. Katherine Mansfield The Garden Party
12. Somerset Maugham: A Woman of Fifty
13. Maupassant: The Necklace
6. American Literature
1. Arthur Miller: Death of a Salesman
2. Eugene O’ Neil: Long Day’s Journey into Night
3. Earnest Hemingway: A Farewell to Arms
Poetry:
1. Walt Whitman: Leaves of Grass—Song of Myself (Lines 1-139), O Captain, My Captain!
2. Robert Frost: The Road Not Taken, After Apple Picking, Mending Walls, Design,
Stopping by Woods
3. John Ashbery: Melodic Train, Painter
4. Sylvia Plath: Bee Poems
5. Sherman Alexie: Why We Play Basket Ball, Sasquatch Poems
Novel
1. Tony Morrison: Beloved
2. William Faulkner: The Sound and the Fury
7. Pakistani Literature
Novel and Prose
1. Ahmed Ali: Twilight in Delhi
2. Manto: Toba Tek Singh
3. Bapsi Sidhwa: Cracking India
4. Sara Suleri: Meatless Days (Papa and Pakistan, Excellent Things in Women)
Poetry
1. Ghalib: Aah ko chahiay ik Umr, Bazicha-e- Atfaal hy Dunya
2. Iqbal: Shikwa (Stanza 01 to 05), Jawab-e- Shikwa (Stanza 25 to 35) translated by K Singh
3. Taufiq Rafat: (Arrival of Monsoon, 1985, Vanguard) i) Kitchens ii) A Touch of Winter
1. Formal/Informal Introduction
2. Parts of Speech (Basics of English Grammar)
3. Phrases & its Types (Infinitive, Prepositional, Gerund, Noun phrase, Verb Phrase)
4. Clauses: Subject, Verb, Direct/Indirect Object, Object Complement, Subject Complement,
Dependent and Independent Clauses
5. Sentence Structure: Simple, Compound, Compound Complex Sentences
6. Kinds of Sentences: Exclamatory, Declarative, Interrogative, Imperative Sentences
7. Use of Active/Passive Voice and Direct/Indirect Narration
8. English Expression: Manners & Greetings (Greeting Etiquettes, Gratitude,
9. Request, Command, Agreement/Disagreement, Time Checking)
16. Linguistics
1. What is language? (Definition and Characteristics of Language)
2. What is Linguistics? (Langue and Parole, Competence and Performance Diachronic/
Synchronic; Paradigmatic/ Syntagmatic Relations)
3. Schools of Linguistics (Structuralism, Generativism, Functionalism)
4. Basic concepts of Socio-linguistics (Varieties of Language e.g. Dialect, Register, Pidgin, Creole)
An Introduction to Major Branches of Linguistics:
1. Phonetics
2. Phonology
3. Morphology
4. Syntax
5. Semantic
17 Stylistics
1. Introduction
2. What is Stylistics?
3. The Nature of Stylistics
4. The Goals of Stylistics
5. Stylistic Approaches to Literature
6. Literature as Text
7. Literature as Discourse
8. Literature as Communication
9. Foregrounding
10. Meaning of Foregrounding
11. Types of Foregrounding
12. Theoretical Positions in Stylistics
13. Formal Stylistics
14. Affective Stylistics
15. Pragmatic Stylistics
16. Pedagogical Stylistics
17. Feminist Stylistics
18. Stylistic Analysis: Practical Application
19. Sample Stylistic Analysis of a Poem
20. Sample Stylistic Analysis of a Short Story
18 Literary Criticism
1. Aristotle: Poetics (Imitation, Concept of Tragedy, Plot, Character, Catharsis)
2. Philip Sydney: The Defense of Poesy, T. Nelson, 1965
3. W. Wordsworth: Preface to Lyrical Ballads
4. S. T. Coleridge: Biographia Literaria, Coleridge’s Views on Wordsworth’s Poetic Diction,
On Fancy and Imagination
5. Mathew Arnold: Cultural and Anarchy, (Introduction, Barbarian, Philistines, Populace),
The Function of Criticism at the Present Time
6. T S Eliot: The Critic (Tradition and Individual Talent, The Metaphysical Poetry)
7. Raymond Williams: Modern Tragedy (Tragedy and Tradition, Tragedy and
Contemporary Experience).A. Richards: Practical Criticism